Reserva's fans and followers know for a fact that the brand speaks with a lot of personality. Neutrality is not at all part of its DNA. Rebelious and energetic is more like it. The issue, then, is how to make this attitude shine through the fonts it uses for communication.
Reserva Sans is the backbone of the project; the ductus that guides the Serif and Display faces. It’s perfect for a straightforward and relaxed conversation — the right tone for the brand’s day-to-day communication.
Even though serifs are usually associated with formality and seriouness, in the case of Reserva Serif, it can be just as fun as its Sans version. The serifs are thin, which means they are better for composing titles (from 18 points on). Also, the bolder it gets, the more personality it shows.
There are fonts to be read and fonts to be seen. Reserva Display is made to be seen: bold, quirky, expressive and a bit 70s, with different layers of personality if you set it all caps, lowercase of both. Reserva Display is like the Sans and Serif pair relaxed a bit and went to the beach. Loose, carefree and made for applications like block letters, shop windows and wherever impact is needed.
The letters began surfacing on everything Reserva touched, from motion design to storefronts and more, courtesy of the talent of Reserva’s design team.
Three typefaces, one typographic palette: legible, elegant and diverse. Versatile voices for a versatile brand.
Rony Meisler, Rodrigo Saiani and Valter Costa
Rodrigo Saiani
Ana Laura Ferraz, Carlos Mignot and Gabriel Menezes
Rodrigo Saiani, Lucas Campoi, Carlos Mignot, Ana Laura Ferraz, Felipe Casaprima, Gabriel Mesoma, Aline Caruso and Valter Costa
Marcelo Cavalcanti and Valter Costa
Carlos Mignot
Rony Meisler, Marina Taddei, Naiana Lemos, Icaro Santos, Marcelo Rodrigues, Daniel Medeiros and all Reserva team
Risotrip Print Shop Co.